Nina Herasymova-Persydska. Muzyka. Vremya. Prostranstvo. (Music. Time. Space)

"The book is a collection of articles by the prominent musicologist, cultural studies expert N.Herasymova-Persydska containing works written by the author during the period of forty years. The aspects that the book touches upon include music of the Western European and Ukrainian Baroque epochs, the history and theory of the part choral style, "music and time", manifestation of non-classical principles in the European music from Ars Nova to the present.

The book will be interesting for both professional musicians, arts and culture researchers, philosophers, as well as for anyone interested in development of the European music culture."

"...The focus of the researcher is the overarching cultural, mental links that stretch to the ancient and very distant music from the contemporary and super-modern one. All of us sense them in one way or another, but in the pieces by N.Herasymova-Persydska these connections are displayed so unexpectedly, clearly and convincingly, that our understanding of the world, the history and of ourselves is significantly enriched." Kira Yuzhak, Doctor of Arts, Professor
In Russian and Ukrainian.
Type of the edition: hard cover
Format: 144x200 mm
Number of pages: 408, notes
Publisher: DUH I LITERA, Kyiv
Contents:

- Ot redaktora

- L.Kovnatskaja. Ydeal‘nomu sobesednyku

MUZYKA EPOKhY BAROKKO:

- Spetsyfika natsional‘noho varianta baroko v ukrajins‘kiy muzytsi XVII storichchja

- Zapysy na pevcheskykh rukopysjakh XVII-XVIII vekov

- Ukraynskyy lytsevoy yrmolohyon pervoy polovyny XVIII veka

- Nekotorye zametky po tekstolohyy notolyneynykh rukopysey

- Ob otrazhenyy povesty "O Varlaame y Yoasafe" v drevnerusskoy muzyke

- Poslannja apostola Pavla u tvori H.Shutza ta v pokajannomu moteti

PARTESNYY STYL‘: ISTORIA I TEORIA:

- Partesnoe mnohoholosye y formyrovanye stylevykh napravlenyy v muzyke XVII – pervoy polovyny XVIII veka

- "Postojannye epytety" v khorovom tvorchestve kontsa XVII – pervoy polovyny XVIII vekov

- Parodyja v russko-ukraynskoy muzyke XVIII veka y ee svjazy s yntermedyynym teatrom

- Pryntsyp porozhdenyja v partesnom tvorchestve

- Ot elementarnoy chastytsy do ""bol‘shoy formy": k voprosu o stanovlenyy kompozytsyy partesnoho kontserta (mazhornaja sfera)

- "Hrammatyka" Mykoly Dyletskoho jak dzherelo atrybutsiji yoho nevidomykh tvoriv

MUZYKA Y VREMJa:

- O dvukh typakh muzykal‘noho khronotopa y ykh stolknovenyy v russkoy muzyke XVII veka

- Pro stanovlennja virshovoho pryntsypu v muzytsi

- Tema kontsa vremeny v pokajannom motete "Pryblyzhaetsja dushe konets"

- Vykhod k novym pryntsypam prostranstvenno-vremennoy orhanyzatsyy muzyky v perelomnye epokhy

- Novoe v muzykal‘nom khronotope kontsa tysjacheletyja

PROJaVLENYE NEKLASSYChESKYKh PRYNTsYPOV V EVROPEYSKOY MUZYKE: ARS NOVA – MUSICA SUPERNOVA:

- Messa Notr Dam Hyyoma de Masho: "Summa muzyky" Srednevekov‘ja y proryv v novoe yskusstvo

- O stanovlenyy muzykal‘noho proyzvedenyja: ot "res fakta" k "opusu"

- O dyskretnoy lynearnosty v sovremennoy muzyke

- Zvuk y znak v muzykal‘nom yskusstve: ystorycheskyy aspekt

- Muzyka v novoy kul‘turnoy paradyhme

- XXI vek y "musica mundana"

Osnovnye pechatnye raboty N.A.Herasymovoy-Persydskoy

PARTESNYE KONTsERTY (noty):

- Kako ne ymam plakatysja

- Ozloblen bykh

- O, sladkyy svete, Mykhayle arkhanhele