May be, I am wrong, but listening approximately to the second song recorded at this album you feel as if now Ani Lorak has finally determined the direction, in which she will continue to move on. And this direction is somewhere in the middle between a teen-age star and a pop-girl. Deliberate or not, this finding of the happy medium has evidently influenced the album sounding. It – the sounding – is rather balanced, suspended, assiduous, washed and shiny, put on high heels and turned to the sunset with its face. Personally I find it to be good, because generally speaking, the vocal potentialities of Ani Lorak allow her in full to have enough ambitions as for popularity, which may be wider than simply to be popular on the territory of Ukraine. Still, time will show if a European listener shares this opinion. Yes, a quiet one may share. Because I find this album to be a real – without any exaggeration – embodiment of musical recusancy. From which a particle "non" has been carefully crossed out – finally, in our time, it is a very demonstrative state of affairs. That’s why it undoubtedly has every chance to be taken correctly.
Anton Jozhik Leyba (Hedgehog)