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It is not a secret that Mariya Stefyuk achieved world-wide glory and recognition exactly as an opera singer – classic arias in her performance are known and valued far beyond the borders of Ukraine. But, as well as all prominent opera singers – at least, Ukrainian ones – she has never avoided performing folk songs. There are far more than a dozen of them in Mariya Stefyuk’s repertoire, a real several-hour program – a part of this reserve is represented on the disc "Zhuravka". And this is, sure, not just a contribution into the tradition, it is something more than that. In fact, even from the strictly technical point of view, her voice is a perfectly tuned instrument able to reflect the tiniest melody nuances. This would not be enough, but add here the dramatic talent, the ability to convey the most refined, deepest feelings – and then you get performance approximated to the ideal. In the end, we have already noted several times that Ukrainian folk songs performed by high class opera professionals is virtually always something extraordinarily beautiful. Besides, in this case beauty and expressiveness of Mariya Stefyuk’s voice have really powerful support – all the songs are performed with accompaniment of the National Honored Chapel of Bandura-Players of Ukraine named after H. I. Maiboroda, one of the best collectives of the world of its kind. Thus, this is a really good disc – a nice present for all those who value the clarity of the Ukrainian folk song.
Publisher: UKRmusic Catalogue number: UM-CD 174 Year: 2008
See all albums and songs of the musician(s) on our site:
- National Honored Bandurist Capella
- Mariya Stefyuk
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CD1 |
1. |
| Oy ty, misjatsju |
2. |
| Oy, chom ne pryyshov
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3. |
| Jak ja sino hrabala |
4. |
| Luhom idu
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5. |
| Tykho nad richkoju |
6. |
| Chervona ruzha trojaka |
7. |
| Ty do mene ne khody
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8. |
| Chotyry voly pasu ja |
9. |
| Mala maty donju
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10. |
| Oy haju miy, haju |
11. |
| I shumyt‘, i hude
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12. |
| Oy ziron‘ka vechornaja
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13. |
| Doshchyk |
14. |
| Zaplyvay zhe rozhen‘ko vesela |
15. |
| Starovynna pisnja |
16. |
| Horila sosna |
17. |
| I snylosja z nochi divchyni |
18. |
| Ne pytay, choho v mene zaplakani ochi |
19. |
| Jak pojikhav miy mylen‘kyy do mlyna |
20. |
| Zhuravka |
21. |
| Ocheretom kachky hnala |
22. |
| Oy harna ja, harna |
| Total playing time: 69:07 |
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Fragments of the compositions marked with mark are available for listening. How to listen?
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, Львів, Україна
14-12-2008 21:40 |
Читаючи сторінку, з'являються деякі сумніви.
По перше – назва колективу: "Національна заслужена капела бандуристів України ім.Г.І.Майбороди". Про що іде мова коли зазначається "заслужена"? Про традицію колективу часів О.Міньківського та А.Куляби? Це нажаль вже минуле... Хоч під орудою Куляби бандура мала другорядну роль, однак капела мала надзвичайно високий виконавський рівень. Проте зараз, рівень капели іде проти звання "заслужена"!
Друге: "Національної капели бандуристів ім.Майбороди, одного з кращих у своєму роді колективів світу". Як можна серйозно про таке говорити презентуючи платівку, якщо не мати наміру заохотити людей до придбання запису?. Факт є, що вже давно Детройтська капела ім.Т.Шевченка, а також тепер і Торонтська капела бандуристів ім.Г.Китастого набагато вище стоять порівняно плекання справжньої бандурної традиції.
По третє: "приємний дарунок усім, хто цінує чистоту української народної пісні". Тільки треба послухати пісню "Ти до мене не ходи", щоб зрозуміти, що чистота української народної пісні відсутня зовсім. Ті крики, які супроводжують Стеф’юк, що вони означають? Які слова вимовляють співаки? Колись Київська капела була знаменитим хором. Сьогодні хорова культура просто відсутня, виконання складає враження, що це якийсь поганий самодіяльний гурток (бо очевидно існують і добрі), який співає під пляшку горілки. І ще раз треба тут згадати, що назва ансамблю то є "Національна заслужена капела бандуристів України ім.Г.І.Майбороди", професійний зразковий колектив, що Українська держава підтримує.
Також окреме питання, це бандурний репертуар. Варто зауважити, що деякі пісні Григорія Китастого і навіть Гната Хоткевича, могли б ідеально бути представлені через голос Марії Стеф’юк. В даному випадку виглядає так, що гордість провідників капели не дозволяє використати творчість таких натхнених композиторів, котрі так розумно писали для бандури.
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, Київ, Україна
12-12-2008 16:56 |
Шкода, що до сих пір, Національна заслужена капела бандуристів не спромоглася пошити чи придбати нові костюми. Лишились старі, ще з радянського часу, застійного періоду. Сині свити, червоні шаровари - прапор радянської України. Ну що ж тут скажеш, який піп така у нього і паства. Гвоздь "вбитий" в капелу, ніяк його "гвоздодьором" не витягнуть!
Марічка Стеф'юк це єдина прикраса на сьогодні цього колективу. Бо вони без неї не спроможні жодного концерту дати своїми силами. Нажаль, і слухати там немає що без цієї солістки. Жанр знищено!
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