About KNOBER:Everything that takes place somehow concentrates on pellucid retort. At that very moment objective process is being observed: pressure in retorts is rising, and their contents are being compressed. Then natural explosion happens, throwing out the substance. This influence upon glass capsules points at those who make the effect. Here they are, Knober. Knober is the hybrid that consists of two parts: a man from the world of music and a man from fine art’s world. They co-exist and see in the context of the objective process. The archives say: at the beginning Knob, who at the same time has been performing on guitar in a purposeful band (TOL), has been creating music alone. He had a lot of variegated tracks marked "minus" that afterwards took fresh blood in the side-projects, and Knober became one of them. The one who has started the process of breaking up of capsules is ideological inspirer and visualizer Bomber. He embodies “minuses” in a three-dimensional form using his vocal cords and trash turn of mind. He strikes sounds and that is why the mass concentrated inside is affected. But for all that he holds multicolored pencils in his hands, and does not harbour a grudge against. So what is the point of this influence? It is psycho sound attack on canned feelings and weaknesses, childish terrors and underdeveloped attempts to escape. As a result of this, first-born emotion appears, the garbage which block is cleared away. But how to make this goal accomplishable within the framework of electronic music (sorry for this phrase)? The flavour of trash, sunny psychedelic with superscription "Love me, I am an ugly failure", speeded up reality-show, and, certainly, the synthesis of real sounds passed through XXI century techno-machine. Little boys clutch their heads. Two-headed Knober say that they are not supporters of pure styles, and so much the more are not the supporters of compactness of pill. They run experiments, and these experiments are much more of moral kind than of technical. And it cannot be otherwise, when the problem at issue is pellucid retort. The vanguard is violent and unquenchable itself. Only afterwards it all comes to dark wave, IDM, ambient, noise, dron, industrial, etc and subdividing these groups up to countless numbers. These subclasses unite in their quantity and form new quality, something like the sense, and nobody can complain about mixing up. But this endless odious reasoning of classification is almost like dark tumour in the bodies of those who likes to go into details. The mystery of Knober is behind the screen, and it is much wiser than this text. Spectators and listeners know about the capsule. (c) Alik
information, photo from: http://www.myspace.com/knobermusic
official site: http://knob.com.ua/
