The Moglass, Andrey Kiritchenko, Anla Courtis. Courtis/Kiritchenko/Moglass.

A bit of rather nervous calm, a bit of noise immersed deep into silence – yes? In the end, is it enough to look at the names to find out what you should expect for – yes? Yes, but not quite – because only some of the pieces heard will meet your expectations. The rest – will surprise you, probably. And, I think, it will surprise you in a positive way. Because three styles, three manners, three creative ways are represented here – something separate, special stands behind each name. If you listen to a few different albums by those very Moglass or Andriy Kiritchenko successively – it appears quite obvious that the works differ from each other. Sometimes – differ radically, in a contradictory way. But behind all the differences in each case there is something that makes it possible to speak about their own line, own bright space. Not just separate, but – interesting. Here, on this disc, the three ways of sound-thinking intersect, mix up, transform – probably, not only outwardly. The one who accumulated spaces for one track plays the guitar for another track, and from the others' sounding creates something third in the fourth track – they switch places, roles, worlds... There arises a strange feeling – you seem to see familiar things, but in unfamiliar combinations, at unexpected angles. The form does not have time to overtake, flows – and thus the trip appears uneven, thrilling.