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Although the group Sontsekliosh has existed not that long, for only about three years, only a lazy one could fail to notice it during this time. And you would not say that the group somehow in a peculiar annoying manner promotes at every corner its green eyes, not at all. But there is also no urgent need for that – because Sontsekliosh has occupied the creative niche that it had created. Well, there is no other group in Ukraine that would explore the sphere of neo-retro – at least, currently we do not hear about such. However, in view of attractiveness of the idea, Sontsekliosh has all chances to very soon become overgrown with followers. In its foundation, the idea was simpler and defined as "ethno-cabaret" – that is, folk songs decorated with a music mix from any sorts of styles. Conditionally speaking, from northern dub to oriental blues. And as a result they conducted skilful retro-styling for NEP times (the New Economic Policy), that is for around the 1920s. And what appeared then – was a bomb. It sounds easy and natural, but one should listen attentively to the words – and your language would refuse calling it simply entertaining music. The girls approach selection of texts no less attentively than the manner of performance. That is why, presumably, the listener will more than once notice with a surprise that just now he / she has received together with a sunny smile quite a bitter pill. However, it is hardly possible to get offended with that – because all that is done in a talented way, with a taste. In the end, the style obliges.
Publisher: Nash Format Year: 2008
See all albums and songs of the musician(s) on our site:
- Soncekliosh
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Fragments of the compositions marked with mark are available for listening. How to listen?
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This is stylish music, and not only due to the nice pastiches. Everything is just done simply – in the good sense, when the output sounds so easy and smiling that you never think about the previous hard work.
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International price: $21.90USD
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Love to simple beauty – that is, probably, what in due time conditioned emergence of the "Retroskop" band. And it should be noted that their liking for the music of the 1950s-60s was noticeable not only in performance of "classics of the genre"...
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"I consider that the "retro" style, in which the album "Dahlia" is performed, is elegant – Oleh Skrypka says. – Moreover, jazz, tango, foxtrot, swing are generally considered European and overseas genres, and with this project I want to demonstrate that our country as well has its own rich, unique and high quality music history."
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It is obvious that something extraordinary was expected from DD – so that it were different from the first album but not inferior to it. The girls have met the both expectations, this is a cool art-house piece, quite far from the ordinary..
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..a studio album is a different story, it offers an opportunity to hear, not to see: music balancing on the brink of theater. Due to the art of intonation, which sometimes reaches its extreme and takes a step further – but also due to the art of silence, which only rarely acts as a pause, taking a breath, but mostly it keeps producing supplementary senses.
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An album that's a joke, a discovery, a surprise, a challenge – combining the folk music of the Carpathians with the North American folk. LBB have danced that subtly but stoutly: monologues about dialogues of cultures are not really needed when you have such illustrations at hand..
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This album was ready in the autumn of 2016 – but the musicians were in doubt, as a result they literally re-created it from scratch (the sound producer was Yuryi Hustochka). And it turned out – superb, literally. Fragile like the frosty crust on morning snow, thick and fragrant like masala – an album of hope, an album of surprise. Steppe blues..
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Cooperation of Astarta (a side project by Eduard Prystupa) with Colin Edwin (Porcupine Tree bass-player) is just an example of such quality implementation of ideas, when first you do not even try to understand what the essence is, but just listen. Listen carefully, because it is delicious.
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In its previous album "Pokosy", ShockolaD stepped away from jazz for an almost safe distance – the key definition of the work would be "ethno-lounge". Well, and this time the group seems to have decided to remix all familiar ingredients – both the ethno, and jazz, and acoustic lounge – and, sure, to season it with a few new colors.
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Belarus bands famous here are specific in their artistic, nonlinear attitude to arrangements, self-irony and – they are somehow particularly enlightened, I guess. When one listens to them – sometimes it seems that they are singing the anthem of the Sun, facing the dark wall of the ancient forest. And Vuraj in this regard is no exception.
Domestic price: 306.60UAH,
International price: $21.90USD
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...while grounding on Ukrainian folk songs (not played out at all), the musicians threw into the pot a whole bunch of everything – African rhythms, rock groove, ethnic and electronic instruments – and they mixed that up well. The result turned out pretty hot to taste, diverse, sometimes quite unexpected.
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...Ukrainian authenticity is primarily the mystical energy of the earth and the complete harmony with the space. This is very powerful music! The new disc by ILLARIA is a kind of a calendar of Ukrainian music traditions. It includes cover versions of well-known folk songs based on authentic archival records.
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...the album "Free" resembles that very puzzle, an element of mosaics that was lacking in order that the picture became integral, completed. It – disregarding, let me repeat it, the status of the debut one – seems to sum up some results, outline the visible and known space and, thus, free space for a step forward.
Domestic price: 250.60UAH,
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..what is specific: the core of the Ukrainian archaic material is not hidden, not disguised as it could be and as it has already happened. On the contrary, the foundation is very expressive, while all the rest – it is like pastel lighting. All those small sounds of country, rock, fusion, disco, club electronics – they are as if New Year decorations on a living tree...
Domestic price: 250.60UAH,
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This is music with its own identity. And it's not only about interesting arrangements – listen to the lyrics: this is not simulation of rural folklore, this is its urban rethinking, but not limited to the city. Somewhere there, a universal key to the roots reside...
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..It’s hard to pinpoint exact influences that aptly mirror what Dark Patrick is going for here, though a safe bet would want to include nods to numerous strata of organic electronica, soundtrack ambient, world ethnotronica, psych and trip-hop. Additionally, the band claims some affiliation to the fertile soils of reggae, dub and trance...
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The album "Duet" is a combination of not only two voices. This is synthesis of two very different manners of performance, schools, music styles, and aesthetics. Since Taras Zhytynsky is a rock singer, and Iryna Zhytynska is an opera singer (mezzo-soprano), a soloist of Wroclaw Opera House...
Domestic price: 250.60UAH,
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Music contents of this release do not differ from the premium edition (apart from a hidden surprise track). Differences relate only to the external design – besides, there is no booklet with the lyrics here. Hence the lower price of this edition compared to the premium one.
Domestic price: 250.60UAH,
International price: $17.90USD
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...the content of the album in the style aspect is ambiguous – but, definitely, interesting. This time to their branded ethno-chaos they have added quite a bit of very diverse elements: here you have soul, and D'n'B, and hip-hop, and art-rock, and almost jazz decorations. It appears cool.
Domestic price: 250.60UAH,
International price: $17.90USD
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Domestic price: 250.60UAH,
International price: $17.90USD
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Taking the Carpathian and Polissya folklore as a basis, PoliKarp modernizes it very carefully – the key melody and, actually, the manner of singing remain unchanged. While speaking about rhythmic structures and additional melody lines – here already musicians release their fantasy. And that is why in their music it is possible to hear impacts of outright rock, and jazz, and funk, and dub..
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First I listened to the Ojra’s records somewhere at the end of 90-ties, yet then it was the attempt to join the archaic and the up-to-date. The staff of the group changed several times since then, and they didn’t give up to search. Of course, a variety of creative paths they made gave its outcome: one of the best, I think, neo-folk records of all Ukrainian discography of the recent years.
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..here, "On the Verge" – the force of water is revealed very perceptibly, magic of quite a different level appears, intended for other purposes. That is, the first works were just to burn everything old, not able to live on – to clear the space. The new work – must feed the new, fresh relying on those roots that did not subdue to the action of fire. That verge from which creation of the new myth..
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From ballads to dance, from folklore through art rock to meditation and jazz – I would call this world fusion, as a lot of roots from the whole world have intertwined here. However, all the plays have their common root: the basis is creative re-consideration of music of Crimean Tatars and other Black Sea peoples.
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The mosaic that results is as bright as deep – "Burdon" once again opens the beauty of old music virtually lost for large audiences. And, at the same time, throws a tank of oxygen into the flame of modern folk – let it burn brightly and not die away...
Domestic price: 250.60UAH,
International price: $17.90USD
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Domestic price: 208.60UAH,
International price: $14.90USD
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Íèêîëàé
, Ñèìôåðîïîëü
31-10-2012 22:42 |
Åñëè ÷åñòíî, òî ÿ òîæå íå ñëûøàë ïðî Ñîëíöåêëüîø... Íàø¸ë ñëó÷àéíî, èñêàë ïåñíþ "Âàñÿ". Ýòî áûëà îäíà èç ëþáèìûõ ïåñåí ìîåãî îòöà. Çàõîòåëîñü íàéòè, âîò òàê è âûøåë íà Ñîëíöåêëüîø. Õîðîøèé äóýò. Ïîíðàâèëîñü. Ïîáîëüøåá òàêèõ êîëëåêòèâîâ! Ïðèÿòíûå ãîëîñà è îðèãèíàëüíàÿ ìàíåðà èñïîëíåíèÿ. Âîò òîëüêî "Âàñþ" òàê è íå ñìîã ñêà÷àòü(.
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, Êèåâ
13-12-2010 12:09 |
ß èç ëåíèâûõ, êîòîðûå íå ñëûøàëè î ãðóïïå è åñëè áû íå óâèäåëà ãðóïïó â "Ñí³äàíêó ç 1+1", òî è íå çíàëà áû. Î÷åíü ïîíðàâèëèñü ïåñíè Ñîëíöåêëåøà. Íåîáû÷íàÿ àðàíæèðîâêà, êàê äëÿ íàðîäíûõ ïåñåí, î÷åíü èíòåðåñíàÿ ìàíåðà ïåíèÿ ñîëèñòîê. Äàæå ïåñíÿ ñ èçíà÷àëüíî òðàãè÷íûì ñþæåòîì ñëóøàåòñÿ ëåãêî è çàìå÷àòåëüíî âîñïðèíèìàåòñÿ.
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