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The space – that's why this album appeals. It seems clear that competent engagement of an orchestra virtually automatically adds volume – but there are nuances. In this case, this is author material, an indie project constructed around the bandura (and the ambition is to make the bandura sound modern, not emasculated) – moreover, from the very beginning KRUT has been tending towards crossovers in his style solutions. So, orchestration of such material was quite a challenge. Have they succeeded? It seems they have. They managed to gently but confidently "spotlight" the bandura against the general palette; in the layering and branching of the orchestration they managed to save space for inclusions of soul, blues, and funk – and from there, there is, obviously, just one step left to jazz aftertastes. They managed to arrange the space so that one listens to the 70-minute album at one go, as to single canvas, and a holistic story. They managed to make the inner space of this record cozy, close, and almost intimate. In terms of the scale of the idea and its incarnation, it seems to be a new bar/height not only for the project by Maryna Krut, but also for the Ukrainian indie scene in general. The resulting product may not be perfect – however, it is surely significant. And then – to reach the end of the way one needs not to stop. Maryna obviously does not intend to stop – and it is very good.
Publisher: not on label, CDr-Pro Year: 2018
See all albums and songs of the musician(s) on our site:
- KRUT
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Fragments of the compositions marked with mark are available for listening. How to listen?
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..a studio album is a different story, it offers an opportunity to hear, not to see: music balancing on the brink of theater. Due to the art of intonation, which sometimes reaches its extreme and takes a step further – but also due to the art of silence, which only rarely acts as a pause, taking a breath, but mostly it keeps producing supplementary senses.
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This album was ready in the autumn of 2016 – but the musicians were in doubt, as a result they literally re-created it from scratch (the sound producer was Yuryi Hustochka). And it turned out – superb, literally. Fragile like the frosty crust on morning snow, thick and fragrant like masala – an album of hope, an album of surprise. Steppe blues..
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..It feels like listening to two albums simultaneously, one of which contains a colorful, complex mixture of styles, from soul and disco to electro-pop, with a bright admixture of classical training and jazz thinking. And the second one – blues, in all of its beautiful simplicity...
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Jamala – and the debut album illustrates this very nicely – creates light music in the best Western tradition. And not just coolly – at a high quality level. Her love for soul, funk, jazz, burlesque and even classical music – it's all here, in this music so many things are mixed that you cannot guess everything at once...
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...the content of the album in the style aspect is ambiguous – but, definitely, interesting. This time to their branded ethno-chaos they have added quite a bit of very diverse elements: here you have soul, and D'n'B, and hip-hop, and art-rock, and almost jazz decorations. It appears cool.
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Is the studio version different from the concert one? No doubt. Without disclosing all secrets, it is enough to say that it remains up to date to go beyond one language and one culture. In my opinion, the album represents the Ukrainian music, but the music which is done by the new generation. It is the product of the new world. The entire world.
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Fortunately, sometimes you run across the albums about which it is very difficult to say anything – because you just frankly like them. Because, in spite of external simplicity, they contain so many ideas, various subtleties – one's ears just go astray..) Because the music tells you stories without words, while the words tell you stories full to the brims with music..
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As a rule the idea of heroic nature has never even crossed the minds of the heroic figures. Moreover they can even get frightened if one alludes to this. But still they continue doing their work. Just because it is their... It’s no use in objecting to the fact that real musicians, the same as the real music, begin with an ability to listen carefully. To listen and to hear.
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Domestic price: 250.60UAH,
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, Сахкамінь, Україна
07-12-2018 17:57 |
Свіжий бриз на узбережжі української музики)
Камерний оркестр трохи гасить ексцентричність і яскравість самої Марини Круть, її унікального підходу, її унікального стилю. Але, звучить набагато насиченіше, сочніше, доповненіше. Тепер тут її музика сприймається вже не як маленький акустичний проект для кількох слухачів, які прийшли шукати чогось незвичайного. Тепер це об'ємна музика, музика повних залів, музика саундтреків і титрів. Принаймні, слухаючи її, хочеться заради того зняти фільми...)
Отже, не проходьте повз! Дуже якісний продукт!
Ну і, автограф - як приємний бонус))) Дякую!!!
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