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Pianoboy. Ne prekraschay mechtat. /digi-pack/. (Don't Stop Dreaming) | | Track
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Just a year has passed after the debut album "Simple Things". This makes one think that, probably, when starting his solo career, Dmytro Shurov was hiding up his sleeve more trumps, than just one disc. In any case, luckily enough, no "second album crisis" has happened. One may well call his new work "indie pop", but that is somehow far too dry for such a multi-component cocktail. Even from the perspective of the style, there is quite a rich mix of everything from hip-hop to dub and jazz-rock, and from electronic music to neo-retro. Nothing in its pure form, but a multitude of bright elements, elegantly and smoothly adjusted to each other and rather tastily flavoured with laconic fortepiano flashes. Plus, probably even more than last year, texts are important here. As a minimum, because the noticeable part of this album lyrics, in this or that way, speak patriotism, without banality and cheap appeals. Everything is simple and honest, making you feel somewhat eerie at times, and at times – serenely. It is about your home, which is your country, and about the home, which is your soul. Social lyrics introverted. In this context, the words "don’t stop dreaming" gain additional by-tones. There is, however another part there, more lyrical, but no less honest. It makes you curious, in other words, and wanting to listen, and not just once. Note! This album is also released as a vinyl LP.
Publisher: Moon records
Catalogue number: MR 5604-2
Year: 2013
See all albums and songs of the musician(s) on our site:
- Pianoboy
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Fragments of the compositions marked with  mark are available for listening. How to listen?
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..it sounds as if somewhere at a rather strange intersection of indie/alt-rock/dark cabaret, without going into any of these territories explicitly, fully. And this is how, one step away from the clear line, they are forming their own space: broken, stormy and muffled, painfully sharp and – seemingly conscious of its mirages.
| Domestic price: 320.60UAH,
International price: $22.90USD
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Postman reserves the right, being a participant of certain events, to step into the shadow behind the light boards and become an observer. A light man. The one who asks: why? at what price? what for? The one who answers: in the turmoil of trifle things, in random intersections, in uncertain movements of our hearts we remain ourselves..
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..In musical terms, this is clearly stemming from what Bob Dylan, Simon & Garfunkel, Donovan, and others were doing some long time ago. Stemming from – but not copying, it is just that in Postman's songs there are the same ease and the content that make it possible to anticipate the extra depth, without any prejudice to the beauty.
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The first studio album by 5 Vymir is like a rough mixture of the psychedelia of the 70s and the Brit pop of the 90s, inspired by our local dreamlike lifestyle, but flavored with a green, bouncy charge of sound (and it's not about sounding) insolence. It turns out to be very atmospheric..
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..intertwining love for the music of the 1960-70s, and the ability to speak modern, at the intersection of styles. With the taste for styling tricks – to speak one's own language. Actually, Pianoboy manages to combine in one bottle magnitude – and seclusion, intimacy.
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A powerful work – as expected. In terms of the music – colorful, with interesting arrangements, careful consideration of each track. No "pass-through" pieces – one can hear that. Voluminous, "visual" music – it feels like you can touch it with your fingertips, taste, and inhale its aroma...
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Pay attention at the title of the album – it displays its content and its essence very well. The composition of the album and every of its songs, as well as their forms and content, strive to logical harmonicity, adjustedness of every musical move, every note.
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The cultivation of taste must simply be carried out - it must continue, and it must be carried out not in a separate point of space or in the framework of a certain musical style or trend.
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Babkin manages to avoid profanity: his music had became lighter, but not primitive, the lyrics have become more concise – but have not slipped into nonsense (besides – for the first time! – all songs of the album are in Ukrainian), in the end, the scale of the artist has changed, which is perceived in the way it is presented.
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The first thing that catches the eye is the musicians' regard to the pop rock aesthetics of the 1980's and the 2000's. It's not about copying as such – but this almost-retro flavor works as a properly selected spice: it helps to open up the base. Well, and the base is the ability to create good melodies and expressive arrangements..
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..it seems that they are about that all of us once came out of water of the World Ocean. Our paths converge, diverge, interrupt, go on, intertwine – and sometimes it is love, while sometimes – confrontation. But always(!) there is something in common for all of us..
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On the one hand, there is a bunch of components in the musical canvas, and participation of jazz musicians, a children's choir, or a full-fledged brass section emphasize that – the arrangements turn out diverse. On the other – there is still the feeling as if you listen to an album sung just with the guitar. However, it is rather an advantage...
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The first album of nowadays well-known Ukrainian group is in front of you. By the way, for the first time the glory has knocked to them due to a song "Tam, de nas nema"...
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...the sound appears really clear, light, and sometimes almost fragile. Actually, it is possible to compare – because, in addition to new songs, you'll find here several songs from the previous album "In You". This is not yet homely comfort – but this is not desperate thunder of large scenes either, definitely.
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To say that Pianoboy has pleased us with his debut work – it means to say not enough. I do not know who has been expecting for what – though after Okean Elzy, Esthetic Education and Zemfira one could hardly seriously anticipate a failure? – but I suspect that the album will surpass most expectations
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The main thing is that this music is not committed to a certain style, but rather to a certain brand, a quality of expression. So, if for the sake of this quality one needs to add some atypical colors – it happens in an easy and natural way. Such a cool simplicity. At the same time – it is a team play, in which no one pulls the blanket over himself.
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...the trademark self-irony is still there. To make sure – the first song from the album will be enough. Though, indeed, the rest of the songs also meet this sort of a definition: irony plus clownery. Need I say that both the first and second are not limited to smiles and jokes, subtle and not too subtle?
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The Britalin really pleases both with the level of performance, and arrangements. The lyrics are not deprived of some sense either, and sometimes they are quite provocative – it is nice. And, moreover, there are two leading vocals at once – male and female – and that diversifies the sound and adds a certain semantic intrigue.
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...A sort of an album of ballads. If you do not listen attentively – it seems very balanced. But when you are attentive – that is when the second bottom opens: it is an album of deep feelings, bright experiences and, at the same time, quiet reflections. Not speculations on a topic, but exactly – individual reflections.
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..the impression is that Dilya has finally discovered and realized what he aspires to in actual fact. The impression is that "Fortissimo" is currently not only the best of his albums, but also one of the best pop-rock albums of the recent time in general. It resembles a picture drawn with wide strokes, skillfully and freely, with passion – but also a lot of attention to nuances.
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..the group performs cheerful rock with admixtures of pop punk and the aftertaste of hippy aesthetics. And it appears, really, sunny and positive – even though humor is far not the key (although noticeable enough) constituent of the songs' lyrics. This, in the end, is nice – because there are now more and more groups that try to joke, while we hardly witness more jokes)
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"Sertsevy Napad" is only five years old, and now you see the first official album by the group. But the guys decided not to wait long and to start from the middle – therefore, the disc is not simply an album, but a sort of a "the best" collection. That is what the title hints at, not without irony – "Golden $hits".
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The very first sounds with which this disc starts inspire quite a stable association with rock music of the 1960s and 1980s – actually, a pleasant association. But – and this is also pleasant – the style palette of the album is varied and saturated enough. That is, this is rock, in which there is roll, and hard, and art, and atmospheric poetry and just poem...
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This album was about to become the third work of the band 5'nizza – but unfortunately, while working at the album the musical concept was changed so much that the group broke up. Nevertheless, on the basis of it there appeared a new project the front man of which is Andriy “Sun” Zaporozhets. So the name of it derived from the leader's one.
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Boombox is one of those groups, which have their own appearance from the very beginning. Therefore, they spend their time not to create some unique style, but to find new colours. And every time these colours get more and more intense – the proof is in front of your eyes.
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And it is difficult to clearly define what the thing is, why exactly these songs warm you – but there lurks behind the external simplicity a sort of correct filling – unobtrusively, as a rain at night in summer...
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His audience is growing if not with the speed of a lightning, then – incessantly. At that, in three directions simultaneously. One – the listeners who came to love his own songs. Second – the audience who keep track of his theatrical life (i.e. "Theater 19"). Third – readers who value interesting poetry.
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International price: $14.90USD
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NEW AND HOT
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Domestic: 250.60UAH
International: $17.90USD
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