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Note! Right now, a special offer is available from the website, where you can get this disc as a present: umka.com/eng/news (gift offer is unavailable during all discount sales) The previous solo project by Svyatoslav Vakarchuk, "Vnochi" (At Night), was truly wide-scale – it involved dozens of jazz, rock and even classic musicians. And its main highlight was going beyond limits of certain styles, a bright alloy of those very jazz, rock and classics. The album "Brussels", instead, appears almost as a chamber one – there are only five creators of it – but it also offers something special. This is, so to speak, author rock music – in the sense that it blurs, expands limits of the very term "rock music". Not only because there are neat inclusions of other ways of musical thinking. Not only because the project was created by bright personalities – conscious musicians, each of them really having something to say. The main thing is that this music is not committed to a certain style, but rather to a certain brand, a quality of expression. So, if for the sake of this quality one needs to add some atypical colors – it happens in an easy and natural way. Such a cool simplicity. At the same time – it is a team play, in which no one pulls the blanket over himself. Clearly, Vakarchuk as the organizer and inspirer of the project is a certain center of gravity – but even this center is not burdensome or straightforward. And this is definitely nice. Note! This album is also released as a vinyl LP. Svyatoslav Vakarchuk (lyrics (except for 8), vocals); Dmytro Shurov (glockenspiel (4), piano, electric piano, electric organs) – the former participant of the projects "Okean Elzy", "Esthetic Education", "Zemfira" (the album "Spasibo"); engaged in the solo project Pianoboy; Max Malyshev (drums, percussion) – one of the best Ukrainian drummers, participated in recording of albums by the majority of popular Ukrainian performers; Petro Cherniavsky (bass guitars, guitars) – primarily known as the "OE" guitarist. Serhiy Babkin (lyrics (8), flute, guitars, vocals). Music producers of the "Brussels" project are the "OE" keyboardist Milos Yelich and Petro Cherniavsky.
Publisher: Supersymmetry Year: 2012
See all albums and songs of the musician(s) on our site:
- Svyatoslav Vakarchuk
Domestic price: 250.60UAH
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Fragments of the compositions marked with mark are available for listening. How to listen?
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Domestic price: 250.60UAH
International price: $17.90USD
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See also:
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Domestic price: 250.60UAH,
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It seems that Antytila have finally discovered and tamed their wave: the new album is almost entirely composed of "blockbusters" – one imagines the picture where these songs sound at a stadium scale.
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Babkin manages to avoid profanity: his music had became lighter, but not primitive, the lyrics have become more concise – but have not slipped into nonsense (besides – for the first time! – all songs of the album are in Ukrainian), in the end, the scale of the artist has changed, which is perceived in the way it is presented.
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The first thing that catches the eye is the musicians' regard to the pop rock aesthetics of the 1980's and the 2000's. It's not about copying as such – but this almost-retro flavor works as a properly selected spice: it helps to open up the base. Well, and the base is the ability to create good melodies and expressive arrangements..
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..it seems that they are about that all of us once came out of water of the World Ocean. Our paths converge, diverge, interrupt, go on, intertwine – and sometimes it is love, while sometimes – confrontation. But always(!) there is something in common for all of us..
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The new album by Antytila was released unexpectedly quickly – but the title "Sun" seems to imply that there was no need to wait, that the time came. Or – were the new songs so much burning inside that one had to release them as soon as possible? However, the cover of "People Like Ships" by Skryabin here may indicate at something quite different
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On the one hand, there is a bunch of components in the musical canvas, and participation of jazz musicians, a children's choir, or a full-fledged brass section emphasize that – the arrangements turn out diverse. On the other – there is still the feeling as if you listen to an album sung just with the guitar. However, it is rather an advantage...
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..The key issues covered in the texts are the request for people to have trust in their power, to help people around, to value beloved ones, to smile at every day, to learn from old mistakes, and most importantly – to be themselves.
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The first album of nowadays well-known Ukrainian group is in front of you. By the way, for the first time the glory has knocked to them due to a song "Tam, de nas nema"...
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...the sound appears really clear, light, and sometimes almost fragile. Actually, it is possible to compare – because, in addition to new songs, you'll find here several songs from the previous album "In You". This is not yet homely comfort – but this is not desperate thunder of large scenes either, definitely.
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...the trademark self-irony is still there. To make sure – the first song from the album will be enough. Though, indeed, the rest of the songs also meet this sort of a definition: irony plus clownery. Need I say that both the first and second are not limited to smiles and jokes, subtle and not too subtle?
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The Britalin really pleases both with the level of performance, and arrangements. The lyrics are not deprived of some sense either, and sometimes they are quite provocative – it is nice. And, moreover, there are two leading vocals at once – male and female – and that diversifies the sound and adds a certain semantic intrigue.
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...A sort of an album of ballads. If you do not listen attentively – it seems very balanced. But when you are attentive – that is when the second bottom opens: it is an album of deep feelings, bright experiences and, at the same time, quiet reflections. Not speculations on a topic, but exactly – individual reflections.
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..the impression is that Dilya has finally discovered and realized what he aspires to in actual fact. The impression is that "Fortissimo" is currently not only the best of his albums, but also one of the best pop-rock albums of the recent time in general. It resembles a picture drawn with wide strokes, skillfully and freely, with passion – but also a lot of attention to nuances.
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..the group performs cheerful rock with admixtures of pop punk and the aftertaste of hippy aesthetics. And it appears, really, sunny and positive – even though humor is far not the key (although noticeable enough) constituent of the songs' lyrics. This, in the end, is nice – because there are now more and more groups that try to joke, while we hardly witness more jokes)
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The very first sounds with which this disc starts inspire quite a stable association with rock music of the 1960s and 1980s – actually, a pleasant association. But – and this is also pleasant – the style palette of the album is varied and saturated enough. That is, this is rock, in which there is roll, and hard, and art, and atmospheric poetry and just poem...
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And it is difficult to clearly define what the thing is, why exactly these songs warm you – but there lurks behind the external simplicity a sort of correct filling – unobtrusively, as a rain at night in summer...
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His audience is growing if not with the speed of a lightning, then – incessantly. At that, in three directions simultaneously. One – the listeners who came to love his own songs. Second – the audience who keep track of his theatrical life (i.e. "Theater 19"). Third – readers who value interesting poetry.
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In spite of that “At Night” compositions do not meet the pop-format, the album is aimed at mass audience. The name, voice and the specific, characteristic of only Svyatoslav Vakarchuk melodics of the compositions will help fans of Ukrainian music become acquainted with new music forms, to seize new music territories.
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Svyatoslav Vakarchuk's third solo project is an expected change in tonlity, The Orangery builds up a space to approximate comfort. Approximate – because there are enough disturbing notes, but they do not set the key mood. Basically, it seems – it is about the desire to speak so quietly that one could get as close as possible..
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.. There is no pursuit for the sake of acknowledgement – and there is no temptation of observing style limitations, but there is the ability to make it maximally as exact as you consider necessary. Sheer rock music grows from this root, creativity not for the sake of freedom, but as its direct result.
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"Sofia" is not something soft and sweet. Fresh improvisation music with the Slavonic flavor – bright and rather poignant music, which in no way fits for serving as just a background. It requires attentive listening, and it is just pleasant to listen to it attentively, to track the line of each instrument...
Domestic price: 250.60UAH,
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Mastering of this release was performed in the USA, in the studio of the legendary sound producer Bob Ludwig, whose experience during the almost half-a-century career includes work with over 1200 musicians. This mastering was born at the height of "Dolce Vita Tour" in 2010 and as brightly as possible it conveys the integral, bright sound of the live concert performance.
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May be, for the sake of that it was worth while changing the group members – with the exception of Guru, of course. Now it is interesting what will happen next. Because judging by ears – to be continued.
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As for me, this work of art is marked by lightness, at that this lightness is more pleasant than vain. You see, there are thoughts present here, and they are different, but they are not put on a pedestal, on the contrary, they fly simply and easily somewhere near your head.
Domestic price: 250.60UAH,
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, Êè¿â, Óêðà¿íà
26-06-2012 20:45 |
Øàíîâí³ ïàí³ òà ïàíîâå!
Ïî-ïåðøå, õî÷ó âèñëîâèòè âåëèêó ïîäÿêó çà âèêîíàííÿ ìîãî çàìîâëåííÿ! Äóæå çðó÷íî, ÿê³ñíî òà øâèäêî! Ïî-äðóãå, ÿ âæå äóæå äàâíî âåëèêèé øàíóâàëüíèê ãóðòó "Îêåàí Åëüçè" òà îñîáèñòî Ñâÿòîñëàâà Âàêàð÷óêà! :-)) Ó ñâî¿é êîëåêö³¿ ÿ ìàþ âñ³ äèñêè, ÿê³ áóëè ó ïðîäàæó... Òîìó ÿ ç âåëèêèì íåòåðï³ííÿì õîò³â ïî÷óòè ¿õ íîâó ðîáîòó!!! ³äâåðòî êàæó÷è, ß ÏÐÎÑÒÎ Â ÇÀÕÂÀÒ²!!!
ß íàâ³òü ³ íå óÿâëÿâ ñîá³, ùî ãóðò "Îêåàí Åëüçè" ìîæå ìåíå ÷èìîñü âðàçèòè! Àëå ÿ ïîìèëÿâñÿ...
ÄÓÆÅ ÍÅÑÏÎIJÂÀÍÀ ÒÀ ÔÀÉÍÀ ÐÎÁÎÒÀ!!!
ÙÈÐÎ ÄßÊÓÞ ÑÂßÒÎÑËÀÂÓ ÂÀÊÀÐ×ÓÊÓ ÒÀ ÃÓÐÒÓ "ÎÊÅÀÍ ÅËÜÇÈ" ÇÀ ÂÅËÈÊÓ ÍÀÑÎËÎÄÓ Â²Ä ÏÐÎÑËÓÕÎÂÓÂÀÍÍß ÖÜÎÃÎ ÀËÜÁÎÌÓ!!! :-))
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