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"Mykola Dyletskyi is the most eminent figure in Slavic music of the second half of the 17 th cent. His work, to a large extent, determined the development of music on a territory which covered Eastern Europe and laid the foundations for a composition school of the New Times... From the end of 1670's Dyletskyi worked in Moscow. He entered the intellectual circle which united representatives of the new artistic intelligentsia of Eastern Europe. Dyletskyi was the first in Eastern Europe to write a theoretical treatise "The Grammar of Music". According to European musicologists of the time, Dyletskyi expounded the principals of music theory, composition, aesthetics, rhetoric and laid the theoretical foundation for the New Style – so called "partesnyi" which replaced the long-lived reign of the church monody. ("Partesnyi" from Latin "partes" – i.e. part singing)..." N.O. Herasymova-Persydska, PhD"Mykola Dyletskyi's music came to us from the depth of oblivion only at the end of the last century owing to the undaunted research of the renowned Ukrainian music historian, Professor Nina Herasymova-Persydska, who discovered this composer for civilization... All the works recorded on these discs (with the exception of "Izhe Obrazu" and "Parny Koncert") were found, decoded (and one part in every work reconstructed) by Prof. Nina Herasymova-Persydska. This is the first publication of all of the known Mykola Dyletskyi works performed by the Chamber Choir "Kyiv"." Mykola Hobdych (information from the CD polygraphy) The edition contains a 28-page booklet with detailed information. Texts in the booklet are in Ukrainian, English, German, French.
Publisher: Atlantic Catalogue number: CCK 11-2 11-3 Year: 2003
See all albums and songs of the musician(s) on our site:
- Kyiv Chamber Choir
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, Athens, Greece
16-02-2013 20:06 |
This cd reveals the riches and the splendors of Diletsky's choral music irreproachably interpreted by very good solists and choristers. The only reserve is the very slow tempo used for the recitations of the deacon and priest's part. But this is insignificant for the whole.
Since we live now a renaissance of the religious music and so we have cds devoted to the works of Diletsky, Vedel, Bortnyansky, Berezovsky etc, it would be wished a recording devoted to the religious work of an another excellent representative of the ukrainian baroque music Vassili Titov, whose only few works are included rarely to anthologies.
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NEW AND HOT
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light magic
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