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I have once again got convinced that Perkalaba is a true cosmoApolitan lens. On the Internet, this album of eccentric remixes appeared back in 2009, it was released on discs in 2011 – and it is still relevant. Why that? Perkalaba experiments not for the sake of wages, but for the sake of the process – and the programmatic neglect of pragmatism in creative matters is justified. Let me mention, at least, "Qzzaargh vs. Perkalaba", at least "Movlennyek" – where is the business gage there? And do not joke about hemp gage, please. Despite the Hutsul style, the path of the sword – that is quite serious, even when it comes to an electronic sword – it has no less capacity to dissect and pierce the reality than the unspeakable knife of the luxurious nothing. Club dancing, acid parties – that's also there, but it would probably be too straightforward. Perkalaba does not freeze in a tree position in search of visual mysticism, but it comes on the heels of its own shadow, it creates the amalgam for its own mirrors. I think that is in order to once hear the sound of a falling tree in a forest where there is no one. Including itself. Zen, you know, is one for all, even if everyone has one of his/her own.. Anton Yozhyk Leyba (Hedgehog)
Publisher: familia PERKALABA
Year: 2011
See all albums and songs of the musician(s) on our site:
- Perkalaba
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